2025 Annual Home Tour: The Golden Anniversary

Preservation Durham 2025 Home Tour Program Cover

                                        Cover designed by Pam Lappegard. Click on the cover to view the entire program.

The Impact of the Historic Plaque Program

Since its inception in 2001, Preservation Durham’s Historic Plaque Program has been a powerful tool for sharing local history, fostering appreciation for historic architecture, and advocating for preservation. These markers identify and celebrate historically significant buildings, homes, and sites and connect the past and present in a manner that is tangible and accessible to the broader community. More than just adornments for buildings, these bronze plaques serve as educational resources, sources of civic pride, and rallying points for preservation efforts.

In terms of preservation effectiveness, plaques can seem like lip service to historic preservation without real security and it is easy to ask, “What’s the point if it doesn’t protect anything?” The point of a historic plaque is to spark a curiosity in a property owner that leads to action and in this regard, the plaques are exceedingly effective. Property owners research their homes, painstakingly restore them, and uncover their histories. Their excitement is contagious. One homeowner in East Durham hand-delivered his application after he and his wife had spent a year restoring their house. They had learned to do deed research themselves, and in the process, stumbled upon another historic property (protected by covenants held by Preservation Durham) in need of a preservation-minded buyer. They ended up buying and are now in the process of restoring that one, too.

Plaques are also critically effective in advocacy. They publicly identify historic sites, reinforcing their significance and making it harder for them to be overlooked or demolished. If a plaque property is at risk, we’re confident someone would alert us.

Plaques also create an emotional connection between people and places. Many homeowners apply for plaques to mark milestones—a house’s centennial, a completed restoration, or simply to celebrate its story. While plaques don’t impose legal protections, they cultivate a sense of responsibility, making property owners more likely to support preservation efforts on a larger scale.

To be eligible for a plaque, a building—whether residential or commercial—must be at least 70 years old and have a documented history. The program is purely honorary and does not impose any restrictions or responsibilities on property owners. Each plaque is meticulously researched, with the Plaque Committee confirming details and assigning an official name, date, and number.

The plaques are funded by property owners and installed by Preservation Durham, which maintains records of the properties’ histories.

Plaque properties sometimes overlap with areas where preservation protections exist, but the two designations remain separate. For example, the James S. Manning House is both a plaque property and a locally designated landmark, but the owners are not required to coordinate changes with Preservation Durham (though we always enjoy a chat when we can offer help!).

Expanding Accessibility to Historic Information

One challenge of our plaque program? The plaques themselves don’t tell the full story. That’s why we’ve been working to make plaque histories more accessible through OpenDurham.org. With the help of an intern, we’re creating dedicated pages for every plaque property ,organizing them by theme, architectural style, and neighborhood. Virtual tours are next on the list.

We’ll probably always get calls from people asking if a plaque means they can or can’t do something to a house. But that’s okay. It means the plaques are doing their job—getting people to notice and care.

Looking to the Future

Historic plaque programs exist across the country, each with their own quirks. When Preservation Durham launched ours, we sought advice from similar programs—learning, for example, to avoid wooden plaques (they look charming but require constant upkeep!). Some cities tie plaques to official landmark status; ours remains purely honorary. And yes, we frequently get calls from realtors assuming a plaque means restrictions (it doesn’t!).

One area where we’re working to improve is representation. Durham’s history is broad and diverse, and our plaques should reflect that. We’re expanding outreach, encouraging applications from underrepresented areas, and offering research assistance through volunteers.

Our membership renewal forms even include an option to donate toward plaques for properties where cost might be a barrier.

Join Us in Preservation

Preservation Durham’s Historic Plaque Program is more than just a way to mark the past—it’s a catalyst for curiosity, advocacy, and deeper connections between people and place. By celebrating the stories behind Durham’s historic buildings, we’re not only honoring history but inspiring future preservation efforts.

 

 

 

 

The original cabinets and farmhouse sink were repurposed for a basement laundry. Bathrooms have been updated, with original porcelain fixtures complimented by period-appropriate faucets and tile. While adding central air-conditioning was a must, heat is still provided by the original steam radiators, now clad in custom covers. Upgrades to building systems have been surgical, preserving the original finishes and materials to the greatest extent possible. In the downstairs hall, the owner painstakingly restored Mrs. Carver’s nicotine-stained French wallpaper, hand painting a replacement for a panel that was beyond repair. 

In 2022, the spooky unfinished attic was converted to a light-filled multipurpose space, with costs mitigated by use of the Historic Tax Credit program. Original windows were restored, with cozy daybeds tucked into dormers. These are now the favored sleeping quarters of visiting grandchildren. Solid wood doors were repurposed from elsewhere in the house. Furnishings, light fixtures, and Herman Miller storage cabinets were all thrift shop finds, collected over several years for the project. Heart pine flooring was milled from reclaimed timbers salvaged from the American Tobacco Campus. As the Carr-Carver House nears its 100th anniversary, we celebrate the history of this remarkable home and its legacy of families, preservation, and community. We are grateful for the opportunity to share the home and its story on Preservation Durham’s Golden Anniversary.

The house is an excellent example of the later, more restrained version of the Queen Anne Style in a foursquare form, with partial gables in the roof on the front and both sides and over the front porch, large multi-paned windows, and a paneled front door. On the east side is a two-story curved bay. During their possession of the house, Dr. Calhoun and Mr. Broadwater worked with Preservation Durham to make sure the house was preserved. They received Preservation Durham plaque #83 in 2007, and in 2008, they donated a preservation easement on the property to insure its interior and exterior character defining features would be preserved in perpetuity.

 The second century of the house’s story almost began with a bang in 2006 when a new landlord decided to demolish the century-old building and redevelop the site. Word got out and very quickly a group of preservationists came to its rescue. They persuaded the landlord to forego demolition. Instead, they asked him to give up the house and allow them move it to a new site. He agreed. Former president of the Old West Durham Neighborhood Association and Durham street historian John Schelp was one of those who intervened on behalf of the house. 

“With this kind of demolition, you aren’t just tearing down houses. It’s tearing the fabric of a community. Inside these houses are the stories of everyday lives....The people who lived in this house might not have been generals in wars or industrial barons, but they were every-day characters. It’s their stories that bring brick and frame to life.” (John Schelp)

James S. Manning/Bull Durham House

Proudly standing in the middle of the block, the Manning House, also known as the Bull Durham House, is a fine, highly decorative example of late-nineteenth century Victorian Stick Style architecture in the North Durham–Duke Park National Register Historic District. Its prominent situation on the lot, capacious porch, elaborate woodwork and decorative paint scheme call it out as a house to be noticed. Perhaps this is why it was selected to be featured in the 1988 movie, Bull Durham, where it served as the home for the character Annie Savoy, played by Susan Sarandon. It was the architectural flair and the charming original details that drew the current owners to the house, much more than its relative fame. They were drawn in by appreciating the craftsmanship and find themselves imagining the lives that were lived in the house.

The current owners are residential designers and builders in Durham with many preservation projects to their credit. This project, however, was special. As an artistic statement, the house represents “Black excellence, Black existence and Black joy.” Everything, from the materials to the colors and the artwork, was selected with intention and imbued with meaning. You’ll notice repeating themes of copper, green and ivory throughout. There was deep intention and thought behind the selection and curation of each of these colors and materials.

A focal point in the heart of the house, the dining room features a curated gallery of 32 photographs of local Black leaders, entrepreneurs, artists, and educators as a nod to Durham’s historic Black Wall Street and celebration of Black Durhamites continuing to shape history today. About the house, the owner shared, "In many ways, it educates and offers diversity to what is still a predominantly all-white neighborhood. It is giving us our flowers now." Robbin Gourley, a local artist, gifted her artwork, “The Vase with Flowers,” to the home after she learned about the concept of the dining room. The vivid colors set against the black drop-cloth perfectly complement the overall theme of the space. QR Codes are available to dig deeper into the stories and personalities of the local leaders that adorn the walls.

This grand Colonial Revival-Style house in the Morehead Hill Historic District was built in 1931 and retains a remarkable degree of historical integrity including its slate roof, original windows, and exterior wood siding. The stately house is made conspicuous by its location on a prominent elevated site well above street level. Steep stairs lead from Cobb Street up to a flagstone walkway. With its perfectly symmetrical, five-bay façade and one-story flanking wings, the house embodies the period when domestic architecture showed a sense of restraint and discipline of ornament when compared to buildings of the Victorian era. The gable end corbelledbrick chimneys bookending the two-story main block enhance the front elevation’s unadulterated balance. The bold and orderly massing is softened somewhat by a dentil cornice and the accentuated entrance. Here, a gabled portico surmounts the doorway and crowns a fanlight panel. Classical fluted pilasters frame a delicately molded arched door surround topped by a keystone.

The house is clad in long bricks in a modern running bond. A careful eye will note that some bricks are laid proud of their neighbors in a random fashion for texture. Earlier Tudor houses overtly reached for antiquity by using “clinkers” – bricks purposefully made with firing flaws and irregularities. Not here. Note also that the window openings are generous, not little slits with diamond panes. They retain their original steel casements. These were modern for the time. The shutters, like the front door, are simple vertical planks fixed with battens. The large openings for the screened porch at the right are spanned by heavy timbers set in with trapezoidal cuts. This is a signature Hackney device for his Tudor Style houses.

The current owners of the Dr. Hickman and Ethel Ray House often welcome people into their home much like the Rays did in the first half of the twentieth century. “We can’t imagine living in something new,” they say. The historic nature of the home gives them a sense of comfort, “It never feels lonely when any of us are home alone.” The historic plaque is often a topic of conversation among visitors, and people make note of it when they approach the house. The plaque demonstrates to the community that the Ray house, its structure, its past residents, and their stories, matter.

 Just off the busy thoroughfare University Drive in the Forest Hills Historic District sits a lovely street in the form of an oval named Hermitage Court. The Worth-Newsom House, built in 1924 at 1542, on the outer part of the oval, is identified by the bronze plaque to the left of its front door. At the top of the plaque appear the words, Historic Preservation Society of Durham. It is this organization, now known as Preservation Durham, that administers the program to recognize and honor the homes and homeowners that are Durham’s history, the places and people who have shaped Durham and given this city its unusual and special character. 

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